Tuesday 26 January 2010

The Other Detroit










Wunderkammer Magazine recently commissioned me to write a piece on Detroit for their Politics and Society section. I took the opportunity to write about a side of the city that gets significantly less attention in the popular media—the “other” Detroit, if you will. It ended up being a bit too long to post here in its entirety, but it’s worth a read nonetheless.

An excerpt:

I take Interstate 96 eastbound from Ann Arbor. It’s the first warm day of 2008, and the combination of a bright sun and light breeze makes for a beautiful spring afternoon. After 35 miles of Midwestern nothing, I reach the city limits of Detroit. Small, decrepit housing lines the edges of the Southfield Freeway as I approach the exit for North Rosedale, a neighborhood located on the northwest side of the city. As I pull into the local Community House and park—the only privately owned park in the city—the smell of freshly cut grass is almost intrusive. A youth softball game is underway, and parents lounge in folding chairs. Along the edges of the park, residents—predominantly African-Americans—walk their dogs by large, single-family English Tudors. Almost without exception, each two-story house on each tree-lined street adorns a perfectly manicured lawn and a large wooden front door. It’s a middle-class oasis. A distinctly suburban feel, in fact. But it’s not the suburbs. It’s Detroit.
[...]
North Rosedale Park is the anti-slum. A middle-class majority remained after racial turnover, separating North Rosedale from countless other urban neighborhoods throughout the country. Homes are large, and social cohesion throughout the neighborhood is strong. Residents are tremendously proud of their neighborhood, and perhaps more importantly, committed to the city they call home.
[...]
No story or investigative report has captured this side of Detroit, the North Rosedale side. It’s not the bombed out train station, nor is it the urban prairie. It’s not the empty factory, nor is it the large housing project. It’s not the homeless man pushing his cart down a desolate downtown, nor is it the young woman waiting in line for a welfare check.

No, it’s the daily struggle of the urban middle class, the plight of a forgotten population. It’s the neighborhood where Michigan Governor Jennifer Granholm lived briefly before ultimately moving to the suburbs. It’s half a mile from where Detroit historian Thomas Sugrue grew up, a neighborhood his parents hoped to one day “be wealthy enough” to call home. It’s the tree-lined streets, the well-maintained community park. It’s the colorful gardens and golden retrievers. It’s the uneasy, yet unwavering middle class in an otherwise unsettling and unsure urban abyss.

It’s the other Detroit.

Special thanks to my editor, Dara Lind, for her encouraging comments and thoughtful critiques.

Saturday 23 January 2010

Apple Pies, McDonalds, and Gender O’ My

Am I the only that finds it a bit ironic that the restaurant that has been criticized as the culinary culprit in the breakdown of the American family has returned to traditional gender roles in their advertisements? Or at least traditional gender expectations? Yes, McDonalds has been pointed out in the lineup as being many families' route, or rather escape, from having home-cooked meals around the dinner table as stable, nuclear family ought to be doing. I do not mean to single out McDonalds as if those who run the company orchestrated this phenomenon by themselves. But given the general ratchet effect that has taken effect in the number of activities we cram into a single, 24 hour period and changing expectations of members of society as whole, fast food restaurants in general have been seen as enablers of this decline. And when you're the biggest and baddest bully of them all, you tend to take the rap more so than the others.

So what is this post about? Well, my apple pie wrapper pictured above. The apple pie has been a staple and trademark American food since the days of our grandparents. You may recall the old saying, "As American as apple pie." Though mostly a white, middle class story, it did not stay within this demographic group alone. It was not only a gastronomic creation; it was a symbol of American domestic life for many years, both here and abroad. Many home economics books of yore typically employed different depictions of the apple pie on their covers while inside they outlined how women ought to fill their roles of wife, mother, and homebody. I took my favorite oldest niece (our running joke as I only have two nieces and she's the oldest. Get it? Good) to McDonald's for lunch when I was in Miami. We both got apple pies and I saw the wrapper. And I was like, wow. Seriously. "Mommy didn't have time." Really. Kind of pissed me off: I'm not lovin' it.

The kitchen, even in the advertisement for the quintessential fast food restaurant, remains the woman's domain. In fact, one may can interpret the reading as sanctioning women for bring to busy. Though some conservatives, as I say above, demonized these restaurants for allowing women to spend even less time at home, and especially in the kitchen, McDonalds and traditionalists seem to be of one mind. McDonald's has not gone as far as the old saying, "A woman's place is to be barefoot, pregnant, and in the kitchen," but the general picture, I argue, is still there.

As a practical matter, it takes time to bake an apple pie when you do it right. But, as this advertisement suggests, let's put a child and/or husband not having solely one on mommy.

This post is not meant to be particularly earth-shattering. Rather, it fits with my general thinking about how reified our thinking about gender roles and expectations are and how best are we to continue moving forward in contesting, blurring, and crossing these boundaries. Personally, I feel that there is still much work to be done. However, I know that this is preaching to the choir members who also serve on the usher board on alternative Sundays and volunteer for the Sheppard's care ministry (to use and extend that old adage). In commenting on my post "How Not So Far We've Come: (Still) "Doing Gender"" where I discuss the gendered picture on baby changing stations in bathrooms, one of our more insightful readers said that things will change only when men start to care. I partially agree with her. I think that things will change when both men and women no longer take pictures, phrases, or depictions like these for granted.

Saturday 16 January 2010

The Insolence of Understanding: Part II

It has been a while since my last post. Reason: graduate school is, for lack of better words, no joke. Nevertheless, we prevail. A few weeks ago I wrote a post entitled, "The Insolence of Understanding," as a reaction to seeing an advertisement for wearing baldcaps in support of those with cancer. The post was not to question their motives or intent; personally, I believe their cause (raising money for cancer research and support of those with cancer) is admirable. What I questioned was the idea and/or action of dawning on another's identity, persona, or physical characteristic for a cause when one has the freedom to eschew any such constraint, hindrance, or restriction it places on one's abilities. I update my thoughts on this with another example that I think makes my point clearer. Thus, I turn to one episode from my favorite show of the Fall season: gLee!*

In the episode, "Wheels," the members of the gLee club are ordered, or rather sentenced, to be confined to a wheel chair for at least three hours a day while at school. At first, I was like "LOL ROFL" because this "exercise" was supposed to create team unity as the other members did not show any concern for not having enough money to rent a wheel chair accessible bus so that one of their group member's, Artie, who is wheelchair bound could come. Yet when I watched the show again, the same feeling that I had when I saw the baldcaps on the T and Will Smith's fat suit on The Fresh Prince of Bel Air. It was supposed to be both a comedic as well as a teaching moment. I mean, at the end of the show, they sung Ike and Tina Turner's "Proud Mary" in wheelchairs, starting it off with Finn saying, "This one's for you Artie." I mean, they did a good job, but the feeling did not leave me. Were the wheelchairs more to help Mercedes, Rachel, Puck, Finn, and the others understand Artie's plight or just props or accessories for the group to use while performing? The inability to separate the two options from one another or even choose the former as the right question to ask shows evidence for my questioning of these "moments."







I ask again, what exactly is being said when we use other people's situation as teaching moments for privileged individuals. The directors had Artie seem enthusiastic about the fact that his friends will be joining him in being wheelchair bound. I am not sure exactly what his response is supposed to mean. As I argued in part I, "we must realize that we do not become who we pretend to be but also that who we pretend to be are real. It is the mismatch between the show of solidarity and the reality of the life of those individuals that I find most troubling. The insolence of understanding." One key example is the moment when Finn became frustrated with Quinn's constant nagging for money for the baby and mounting doctor bills, GOT UP out of his wheelchair and left Quinn and the others behind, invoking his latent, ever-present ability to walk.

To speak more generally, I think there is a difference between detailing the life experiences of others and walking a few days, in this case, hours in someone else's shoes and then reporting it as one's lived experiences. This may be a fine line, but I believe that it is a concrete line nonetheless. When we begin to speak of other's experiences as our own without questioning the distance that exists between oneself and others, we begin to get into murky waters.

*(Shani, Community is Good, but gLee is Definitely Way Better)

Girls Generation - Korean